Clinique has a small market share and this is a way to improve the market share by targeting an older, more upscale demographic because Sufei comes from a wealthy family. The Clinque products are actually used in the storyline (called product placement) and due to the popularity of the series, they can get into the minds of potential customers. Additionally, there are a number of other advantages, where the Sony followed this premise by having their products such as televisions and digital cameras used in the show. This is a way for a brand with a lot of competition to differentiate itself. Sony was also the producer of the video series, so they could also have name recognition at the beginning and ending of each episode, which is also a boon to Sony's plan as new people curious about the series might see this at the start of the episode. Clinque chose to work with the premise that the men watching would be more likely to buy Clinque products for their significant others. There may have been no other way to reach this type of customer, as traditional print advertising is generally in women-focused magazines. Other potential sponsors of this Chinese sitcom might use these same techniques, but there are only so many advertisers that could have product placement before it would overshadow the series itself.
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The personality and lifestyle of the men used in the product placement campaign are confident, well-to-do jet-setters who have a very active social life. They are similar to the "Most Interesting Man in the World" campaign that is probably modeled after the basic Jaguar idea. There is an attractive allure to any individual living this lifestyle of rubbing elbows with celebrities, exclusive clubs and locations, and using expensive...
From this came our insistence on the drama of the doorstep" (cited by Hardy 14-15). Grierson also notes that the early documentary filmmakers were concerned about the way the world was going and wanted to use all the tools at hand to push the public towards greater civic participation. With the success of Drifters, Grierson was able to further his ideas, but rather than directing other films, he devoted his time
Another writer notes, "It is important to point out that the marketing/merchandising effort is not a haphazard or casual affair. Not only are licensees carefully selected, but the Disney company insists on coordinating all aspects of the design and marketing of the products" (Wasko, 2001, p. 56). Most American children grow up on a diet of Disney films, and that has continued for generations, really showing that good, high-quality
This was not the case in the early days of film, however. Instead, the studios either owned or worked in close collaboration with movie theatres, the vast majority of which had only one screen at the time. Instead of being able to choose which movie one wanted to see upon arriving at the theatre, choosing a movie meant choosing which studio's latest picture seemed most appealing, and going to that
In terms of a feature film like the Spiderman series, there is much revenue to be generated from merchandise, DVD and video sales, tie-in promotions from companies like McDonalds, and spin-off video games. Therefore, the stakes are higher. A feature film producer who has been granted a 200 million dollar budget had better deliver an audience, and deliver it in spades. A telemovie producer, however, working much faster with
French New Wave French cinema, by the time the second world war ended, was faced with a crisis fittingly summarized by posters that advertised Mundus-Film (distributors for First National, Goldwyn, and Selig). These posters implied that the cannon operated by America's infantrymen launched film after film targeted at the French. La Cinematographie francaise (soon to become the leading French trade journal) claimed that every week 25,000 meters of film imported
Figure 3. Cover art for Miyazaki's Nausicaa DVD set Source: http://4.bp.blogspot.com/_t68ar0SFX54/SrvMLVUJMyI/AAAAAAAADy4 / Ol1Z06z6YdE/s400/Nausicaa.jpg The economic success of Nausicaa convinced its producers that the market for their type of work was viable, resulting in the explosion of the global manga and anime markets (Schilling, 1997). Launching Studio Ghibli as a framework in which to produce his theatrical follow-up to Nausicaa, Miyazaki's worked on Tenku no Shiro Laputa, another fantasy adventure story concerning a
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